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Exploring the Okavango Delta in Botswana

Change is inevitable in the Okavango Delta, a UNESCO World Heritage site reshaped by the annual flood. But amid the transformation, Botswana’s commitment to conservation remains steadfast.

The Okavango Delta is ripe for the quenching. It scrolls beneath me like parchment, a mouth greedy for drink, a palm cupped for the flood.

“You notice how dry it is?" says a guide I meet on the flight from Maun to Vumbura Plains.

“Keep watching. You’ll see as we go north how green it’ll get." Yes, the northern delta has sipped its first drafts of the season. Sunlight bounces off water undergirding the vegetation; termite mounds drift like breadcrumbs in a festering petri dish. We’re travelling against the flow.

an aerial view of the Okavango Delta wetland
Boat along the Okavango Delta, a thriving wetland and natural wildlife sanctuary. (Image: Teagan Cunniffe)

Rain that began falling on the Angolan Highlands last November has sluiced southwards to Namibia’s Caprivi Strip; it seeps across Botswana’s alluvial fan, collides with fault lines, backfills the interstices. On and on it goes, reshaping the landscape with impermanent islets, veined swamps and tannin-stained pools. So laborious is its journey, the flood will only reach Maun by mid-year.

“[There’s] no real dry season," says Wesley Hartmann, head of conservation and environment – Botswana at Wilderness. “When the rains stop, the flood comes in, when the flood goes away, the rains start. So there’s always water in some form."

two birds mating in the marsh
Spot majestic wildlife in the marsh.

This year’s rainfall is the lowest in 40 years, but to the untrained eye, the northern delta appears inundated. The tapestry I’d seen from above shrinks to a pastiche of wild sage, mopane scrub and yellow thatching grass as Vumbura Plains guide Dennis Smith weaves a path through it. The road disappears into a limpid swamp; a pride of lions slouches beside the bounty. Their lifeblood is our luxury; water, after all, lures the wildlife we’ve come to see.

“These [sub-adult] males, their future hangs in the balance," Dennis says.“They will be pushed out by a big adult male."

This thought jars with the youngsters’ joviality – paws raised in mock aggression, tails tapping the puddle, kitty whiskers skimming the stream. But change is braided into every fibre of this canvas. Just as water swells and recedes, male cubs will grow up and be booted from the family.

a pride of lions
A pride of lions reclines on the safari track. (Image: Catherine Marshall)

Such laws of nature are honoured by this country’s enduring conservation ethos. When Botswana’s community-based resource management program was implemented in the early 1970s, protected land adjacent to national parks was separated into concessions and leased to communities.

The program still prevails: communities sub-lease concessions to safari companies such as Wilderness, and benefit in turn from employment opportunities, skills development and assistance with the mitigation of human-wildlife conflict.

Vumbura Plains Guide Dennis Smith talking to his guests on safari
Dennis Smith guides us on safari at Wilderness Vumbura Plains. (Image: Catherine Marshall)

Bed and vehicle thresholds ensure low-impact tourism – and exclusivity for visitors. It’s an increasingly important distinction for Australian visitors, says Lara Behrens, marketing and communications director at Bench Africa.

“Many of our Australian clients reach out seeking enriching, one-of-a-kind experiences. They’re not only looking for unforgettable memories to carry back home, but a sense of contributing positively to the destinations they visit."

an aerial view of the private viewing deck at umbura Plains
Each suite at Vumbura Plains has its own private viewing deck. (Image: Teagan Cunniffe)

Such expectations are exceeded at Vumbura Plains. The lodge is staffed almost entirely by residents of five villages comprising the Okavango Community Trust (OCT), which encompasses a range of people-focused programs. The staff are unfailingly warm, but our arrival is not entirely melodious; complaints emanate from hippos inhabiting the fringing lagoon. The channels they’ve carved on nightly foraging incursions disappear beneath the stilted, wood-and-canvas pavilions. When the flood comes, the lodge will drift above it.

inside one of Vumbura Plains’ suites
Bed down at one of Vumbura Plains’ suites. (Image: Teagan Cunniffe)

This proximity to nature is amplified in my private suite. After wallowing in the plunge pool in full view of those obstreperous hippos, the delta seemingly follows me inside. It’s framed by mosquito-screen walls, embossed on bathroom and wardrobe panels in underwater whorls, imprinted on bed linen in the form of those water lilies blooming out on the channels.

the Wilderness Vumbura Plains on elevated decks
Wilderness Vumbura Plains is built on raised decks over a landscape that is annually inundated with water.

Their bulbs – tswii – are on tomorrow’s lunch menu: ground into a paste and pounded into ribbons of pasta. At dawn, a roar surges through those diaphanous mosquito screens. We find the probable culprit lounging on an alabaster pan during our morning game drive.

“Look at the scars on his face, the torn ear," Dennis says. “You don’t want guys called ‘Pretty Boy’ or ‘Smiling Boy’ – these are cowards. You want something like ‘Tom Boy’ or ‘Scarface’. This shows you that they can protect the females."

a male lion resting on the golden grass
A male lion watches on. (Image: Catherine Marshall)

But we humans pose the greatest threat to lions. Poisoning as a response to livestock predation was once rife hereabouts. Today, naming rights are one of a suite of defences used by CLAWS (Communities Living Among Wildlife Sustainably), an NGO working to mitigate human-wildlife conflict. Names like ‘Sneaky Boy’ or ‘Beautiful One’ nurture connection between farmers and the predators hungry for their livelihood.

“It’s difficult for us … to comprehend the value of one cow to these farmers. It can be anywhere between three months and two years’ worth of a salary for a farmer," Wesley says. “That’s something that I often have to work quite hard to communicate with guests … because they immediately want to vilify the farmers."

a man navigating a mokoro through the marsh
Navigate a mokoro (canoe) through marsh. (Image: Teagan Cunniffe)

The resolution to such conflict also involves collaring problematic lions, monitoring their activity on the geo-fences ringing OCT villages and training eco-rangers to safeguard livestock. Plans are afoot at Wilderness lodges to source the farmers’ wildlife-friendly beef at a price that acknowledges their conservation efforts.

There are no lions or hippos about as guide Sticky Mohera poles his mokoro (canoe) through the twilight-struck marsh. Water skaters tread a dimpled path upon the inky surface; dragonflies hover atop spears of sedge grass; bream, which appears on DumaTau Camp’s dinner menu, glides unseen beneath us.

riding a mokoro at Vumbura Plains
Take to the water in a mokoro at Vumbura Plains. (Image: Teagan Cunniffe)

Sticky points out a tiny limpet attached to the reeds: a painted reed frog. Her back is metallic, her belly blood red.

“The stomach confuses their enemy when they jump," he says.“Egret, heron, malachite kingfisher, fish, snakes – they eat them."

I ponder this treachery as we glide into a sunset mirroring the frog’s duplicitous palette: streaks of rose pink flawlessly echoed on sheet-metal water.

a painted reed frog
Spot a painted reed frog. (Image: Catherine Marshall)

This braided waterscape makes sense the next morning as we fly north-east to Linyanti Wildlife Reserve. Only now can I unpick the swampland from the mopane and Kalahari apple leaf trees, the clay pans from the towering termite mounds and restless drifts of sand.

“We are planning to inject this," says bar manager Monks Ntshwarang, handing me a fruit drink on arrival at DumaTau. “Let’s edit it. Should we add gin or vodka?"

The obvious choice is Okavango Gin – distilled sustainably in Maun and infused with marula fruit and mopane seeds.

a spread of food on the table at DumaTau Camp
DumaTau has incredible dining options. (Image: Teagan Cunniffe)

I can sip this hyperlocal tipple on the floating deck and “say goodnight to Africa," suggests Martin Nkala, DumaTau’s general manager.

But I’m drawn to my capacious suite with its sunset-pink interior and deck overlooking Linyanti Swamps. Wallowing again in my plunge pool, I’m visited by an elephant and her calf; they’ve waded across the swamp to browse the trees that shade me.

a look inside a tented suite at DumaTau
Check into one of eight tented suites at DumaTau. (Image: Teagan Cunniffe)

This confluence of waterways – the Savuti Channel and Linyanti and Kwando rivers – is home to Africa’s biggest concentration of elephants. Herds crisscross the swamp, the littlest members hanging onto their mothers’ tails. But an evening game drive reveals unsung wonders: zebra swaggering through feathery grasses; buffalo dissolving in the simmering haze; red lechwe splashing through the mire. It’s positively bucolic – until guide Tapologo ‘Taps’ Gaothobogwe is alerted by radio to an improbable sighting: an African rock python constricting an impala.

a herd of elephants in Okavango Delta
A herd of elephants pass through the swamp. (Image: Alicia Warner)

We find the antelope rigid and glassy-eyed in the snake’s embrace. With agonising deliberation, the mighty serpent – Africa’s largest snake – uncoils, appraises his sizeable prey and drags it with clenched jaws towards the bush’s cover. It is growing dark now; alerted by the bloody snakebite on the impala’s throat, predators and scavengers will be circling.

impalas grazing in Vumbura Plains, Botswana
Red Lechwe graze in the golden grasses of Botswana’s Wilderness Vumbura Plains. (Image: Teagan Cunniffe)

“There’s a high chance he’ll lose the carcass," Taps says.

“We’ll pass by in the morning and complete the story." The story’s ending is unfortunate. Dawn illuminates only the impala’s innards and the contents of its gut, which dung beetles are industriously repurposing as nests for their eggs. The python has vanished; as for its prey, hyena spoor indict the likely thieves.

“It was maybe two or three hyenas, looking at the tracks," Taps says. “Probably after opening it, they ate a little bit … and then they carried the whole carcass somewhere else to feed on it."

Winter is coming; soon the python must hibernate. Much like the flood, no one can say whether sustenance will be forthcoming. “You know, [the delta] is a paradise," Taps says as we glide along the Linyanti Swamp that evening. “But nobody knows what is going to happen."

the pool area at DumaTau Camp
DumaTau Camp is a secluded paradise. (Image: Teagan Cunniffe)

For now, all signs point to this: the python escaped with his life; and the delta’s thirst is sufficiently sated. Water spills eastward and westward without disruption – bar the eyes of those disgruntled hippos. They protrude like marbles from the swamp’s silken surface and glower with light from the setting sun.

a man wearing a hat and sitting at the back of the vehicle while looking at the wildlife in Vumbura Plains
Witness wildlife walk past the grasslands. (Image: Teagan Cunniffe)

Getting to Botswana

Qantas flies to Johannesburg from Sydney and Melbourne. Airlink connects daily to Maun.

Playing in Botswana

Bench Africa’s luxury five-day Wilderness Botswana: Sustainability in Style safari costs from $19,090 per person sharing and includes two nights each at Vumbura Plains and DumaTau, flight transfers, meals, local drinks, conservation fees and activities such as game drives and mokoro excursions. Travel to Botswana is visa-free for stays of up to 90 days. Malaria medication is recommended at certain times of year; consult your travel doctor for advice.

an aerial view of the DumaTau riverscape
DumaTau boasts 45 kilometres of river frontage. (Image: Teagan Cunniffe)

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At the foot of the pyramids, Egypt finally tells its own story

    Ancient Egyptian history has been scattered across the globe for decades, admired, preserved, and studied, but it’s rarely seen where it actually belongs. The newly opened Grand Egyptian Museum (GEM) brings it home.

    From a viewing platform inside the Grand Egyptian Museum, the Great Pyramids of Giza rise from the desert, and for a moment, it feels like modern Egypt and ancient Egypt are shaking hands. The museum, grand in name and reality, has been a long time coming—since 1992, to be exact. Towering pharaohs, relics, and entire chapters of civilisation are on display here, all in full view of the pyramids. And because the GEM is the largest archaeological museum in the world dedicated to a single civilisation, it gets to tell Egypt’s story through its own voice, something many overseas institutions, understandably, haven’t quite managed.

    Reshaping Giza

    GEM entrance and gardens
    The GEM holds its own commanding position. (Image: Natasha Bazika)

    You might expect any building beside the Great Pyramids of Giza to fade into the background, but the GEM doesn’t bow to its famous neighbours. Perfectly aligned on the same axis and vast enough to span 70 football fields, the museum is less of an addition to Giza and more of a marker of the shift from a gateway to a cultural district.

    Inside, hieroglyphs carved from alabaster sweep across the walls and triangles appear everywhere, yet it’s a 3,200-year-old, 11-metre-tall, statue of Ramesses II who commands the room. His scale dictated the soaring atrium ceilings, which pour in natural light, unusual in museums but safe for the stone artefacts displayed.

    Hieroglyphs line the walls of the main entrance of the GEM
    Hieroglyphs line the walls of the main entrance. (Image: Natasha Bazika)

    Unlike many museums, the GEM has really considered how visitors move through it. The six-storey grand staircase leads you chronologically through Egypt’s history, from the Predynastic era to the Coptic period, flanked by statues that grow in scale and complexity as you climb. Elevators and lifts run alongside, keeping the journey accessible to everyone.

    At the top, a viewing wall frames the pyramids before you enter the main gallery to see artefacts rarely seen outside tombs, including the complete contents of Tutankhamun’s tomb, a highlight for many visitors.

    Pharaohs, artefacts and everything in between

    The GEM's showpiece Ramesses II
    The GEM’s showpiece Ramesses II. (Image: Natasha Bazika)

    The GEM holds around 100,000 artefacts across seven millennia, but the experience is entirely modern. Digital panels, QR navigation and clear bilingual signage make self-guided wandering easy, while short, glare-free labels in English, Arabic and braille are colour-coded to move you from broad themes to object-level detail.

    That said, a guide adds context you don’t get from a panel. I was lucky to have Essam Al Ebd Aziz, an Egyptologist, on board a 12-day Uniworld Nile cruise, walk me through some of the museum’s standout pieces.

    Top of the list is, of course, the Tutankhamun exhibit. Almost everything from his tomb, much of it never shown outside the Valley of the Kings, is here, from his golden funerary mask to delicate jewellery and ceremonial objects. But the GEM isn’t just about one boy king.

    GEM entrance is guarded by an 11-metre-tall Ramesses II statue.
    An 11-metre-tall Ramesses II statue guards the entrance. (Image: Natasha Bazika)

    Essam points out the canopic chest of Hetepheres, mother of Khufu, where her organs were stored in alabaster. I loved the forty little marching soldier figurines from the tomb of Mesehti, all lined up and hanging on a wall. And then there’s the statue of Metri, a scribe, with piercing blue eyes carved from lapis lazuli. All these pieces, and thousands more, now sit under one roof. And for the first time, people can see Egypt’s history in one place, told in its own voice, without leaving the shadow of the pyramids. That alone changes everything.