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A mesmerising safari through the plains of the Maasai Mara

Watching Nature unfold across the wild savannah in Africa‘s Kenya amounts to the greatest show on Earth – especially when the ‘big five’ make up the headline act.

An eye the size of a passionfruit, edged by thick, dark eyelashes and dry, parched skin, is staring directly at me. Our guide, Milton, has cut the engine on our open-sided 4WD and the only audible sound is a long drawn-out swish as elephant trunks sway, effortlessly, through red oat grass. The herd is so close I can almost touch the crevices of their deeply wrinkled skin.

An hour ago our faces were glued to windows in a 12-seater light plane as we descended over zebras and wildebeest, to land at Mara Keekorok Airstrip in the far-reaching plains of the Maasai Mara. Covering over 1510 square kilometres, the Maasai Mara is Kenya’s premier game reserve and home to the ‘Big Five’ – elephant, lion, leopard, buffalo, rhinoceros – and other smaller creatures.

It’s day one of a three-day safari and there’s already a sense of animal checklist gratification in our group of five as we head deeper into the riverine forest. Milton halts, every few hundred metres, to scan the plains. Where we see only tall, dry grass backlit by the fading sun, he sees signs of unscripted drama about to unfold.

Maasai Mara from above
Maasai Mara is an incredible experience.

Stopping next to a pride of lions

The shade beside our vehicle rustles; two metres away, a fully grown male lion rises, yawns, baring every razor-sharp tooth before striding across our path to flop back down.

Male lions are notorious for enjoying their catnaps and often sleep up to 20 hours a day, longer after gorging on a meal. Females sleep slightly less when hunting for their cubs. “They have little to fear," Milton tells us as we watch, hoping to witness the hunt. “Sadly, humans are their main predators."

His keen eyes turn to a flattened area of grass. On cue, the show begins from our ringside seats. A pride of lions gather, alert, noses twitching to the scent of dinner. Rarely do they charge unless the kill is close; with small lungs they are not fast runners, relying more on their stalking abilities.

As nature unfolds, the pride seems oblivious to our presence. There is no gory attack, no symphony of lions’ roar, but watching them pursue distant prey at dusk, as they have for hundreds of years, still warrants a final curtain call before we head off towards our safari camp – Mara Ngenche.

Safari next to two lions in Maasai Mara
Male lions often sleep up to 20 hours a day.

Glamping at Mara Ngenche

The campsite has prime position where the Talek and Mara Rivers merge. Ten luxurious tents are nestled in their own private garden complete with secluded plunge pool overlooking the river – glamping at its finest. Its warmly infused decor begs a much longer stay.

That night, snorting hippos serenade sleep until a soft voice announces morning: “Jambo, jambo." Marco, my personal guard, who has been outside my tent all night, greets me surprisingly fresh-faced with a beaming smile, and a tray of hot tea and pre-game drive cookies.

The camp is unfenced and wildlife can wander freely. While the odd hippo climbs up from the river, disorientated at night, sightings are rare due to human activity; if any assistance is required during the night, a few flashes on the torch alert the guards.

Hippo hiding in water at Maasai Mara
Spot the hippo.

Safari sightings: giraffes, zebras, warthogs and gazelles

Milton is waiting for us with thick red-checked blankets; being autumn, the predawn air comes with a chill. Cocooned in warmth, we head to a clearing for our first safari sighting: a journey of giraffes. They’re so elegant against the scraggly acacia trees they don’t seem to belong, as if they’ve been randomly dropped into the wrong set. Their calm, graceful movements mirror a carefully choreographed stage production.

As Milton explains, giraffes rarely sleep for more than five minutes at a time. With lions as their main predators, they often keep one eye open, always alert to approaching felines. We carry on and pass the lovable warthog, a safari misfit with its pig-like torso and wart-covered face.

We stop and watch zebras, learning each one is born with a unique pattern, and spot graceful gazelles who unknowingly take centre stage. Watching nature unfold across the wild savannah is the greatest show on Earth.

Zebras at sunset in Maasai Mara
The Maasai Mara covers over 1510 square kilometres.

A traditional Maasai welcome

In this far-reaching landscape, the only visible fencing is around the Maasai village we visit. It’s the reverse of the concrete jungle; in the great Maasai Mara, the animals roam free and the people are caged. We’re treated to a traditional Maasai welcome as tall men and women, attired in myriad vibrant cloth and headdresses, stomp towards us.

African jewellery on a female Samburu tribe
Traditional Maasai attire is very vibrant.

United by a humming rhythmic motion, their deep guttural sounds stir my emotions: the men begin jumping skywards to outspring one another as the women gather in anticipation to watch the victor, and possibly a suitor.

In his thick Kenyan accent, the young people’s chief, John Seki, tells us there is a reward for you to become a winner if you are not already married. With a dimpled smile he explains: “If you are not married, the elders reward you a lady; if already married they reward you 10 cows!"

Jumping high brings respect and status; but if the springs are somewhat sprung and a wife has not been ‘won’ before the age of 30, tribal members gather to choose a wife as it is unbidden to stay single. John, who is a foot shorter and much slighter than most of his tribe, married in his early 20s; height does not necessarily guarantee success in the tribal dating game.

Traditional Maasai jumping dance
Jumping high brings respect and status in Kenyan culture.

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A hot air balloon ride over the savannah

At 3.30 the next morning, I hear Marco’s singsong, “Jambooo, jambooo," coming through the canvas. It definitely beats the insistent buzz of an alarm clock, especially at dark o’clock when you’re heading off on a hot-air balloon ride. As we hurtle along the inky savannah watching for daylight’s first rim of light, we listen to nature’s early morning concerto as the Maasai Mara comes to life.

In Kenya, a hot-air balloon take-off is different from elsewhere in the world. We are instructed to lie horizontally, grip onto the basket’s woven handles, and keep everything secure as the balloon drags along the ground filling with air.

Hot air balloons over the Maasai Mara
You can see so much from a hot air balloon.

The baskets are so deep it’s difficult to see before we’re airborne. Then we’re up, floating effortlessly like clouds across the extensive plains, as sunrise filters through pastel layers of morning mist.

It’s completely silent, apart from the occasional deafening ‘whoosh’ as flames surge into the balloon, keeping us afloat. As we glide gently up and down, we spot herds of elephants, zebra and wildebeest roaming below. Other balloons dot the backdrop, and I realise how minuscule our massive balloon is in the endless landscape.

Giraffe walking with hot air balloons behind.
Spot the wildlife from above.

One last safari

After our early morning start, we head back and enjoy an early lunch sitting by the Talek River watching hippos slide in and out of the muddy water before taking a pre-safari siesta.

Later, Milton picks us up for our final game drive. In just two days we’ve become a unit, following a routine of immersive safari drives, lazy lunches and long talks about life in Kenya. An approaching storm looms as we search for wildlife against its blanket of steel-grey clouds.

A hungry hyena paces through the grass on the lookout for an easy kill as two ostriches take off like road runners. A secretary bird, so named because their feathers resemble the quill pens secretaries used to tuck behind its ears, takes flight as the sky rumbles.

We find the smiling staff from Mara Ngenche standing in a clearing behind a buffet of hot food and a makeshift bar. It’s a dramatic ending; lightning illuminates nightfall before the first drop of rain sizzles on the flames.

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At the foot of the pyramids, Egypt finally tells its own story

    Ancient Egyptian history has been scattered across the globe for decades, admired, preserved, and studied, but it’s rarely seen where it actually belongs. The newly opened Grand Egyptian Museum (GEM) brings it home.

    From a viewing platform inside the Grand Egyptian Museum, the Great Pyramids of Giza rise from the desert, and for a moment, it feels like modern Egypt and ancient Egypt are shaking hands. The museum, grand in name and reality, has been a long time coming—since 1992, to be exact. Towering pharaohs, relics, and entire chapters of civilisation are on display here, all in full view of the pyramids. And because the GEM is the largest archaeological museum in the world dedicated to a single civilisation, it gets to tell Egypt’s story through its own voice, something many overseas institutions, understandably, haven’t quite managed.

    Reshaping Giza

    GEM entrance and gardens
    The GEM holds its own commanding position. (Image: Natasha Bazika)

    You might expect any building beside the Great Pyramids of Giza to fade into the background, but the GEM doesn’t bow to its famous neighbours. Perfectly aligned on the same axis and vast enough to span 70 football fields, the museum is less of an addition to Giza and more of a marker of the shift from a gateway to a cultural district.

    Inside, hieroglyphs carved from alabaster sweep across the walls and triangles appear everywhere, yet it’s a 3,200-year-old, 11-metre-tall, statue of Ramesses II who commands the room. His scale dictated the soaring atrium ceilings, which pour in natural light, unusual in museums but safe for the stone artefacts displayed.

    Hieroglyphs line the walls of the main entrance of the GEM
    Hieroglyphs line the walls of the main entrance. (Image: Natasha Bazika)

    Unlike many museums, the GEM has really considered how visitors move through it. The six-storey grand staircase leads you chronologically through Egypt’s history, from the Predynastic era to the Coptic period, flanked by statues that grow in scale and complexity as you climb. Elevators and lifts run alongside, keeping the journey accessible to everyone.

    At the top, a viewing wall frames the pyramids before you enter the main gallery to see artefacts rarely seen outside tombs, including the complete contents of Tutankhamun’s tomb, a highlight for many visitors.

    Pharaohs, artefacts and everything in between

    The GEM's showpiece Ramesses II
    The GEM’s showpiece Ramesses II. (Image: Natasha Bazika)

    The GEM holds around 100,000 artefacts across seven millennia, but the experience is entirely modern. Digital panels, QR navigation and clear bilingual signage make self-guided wandering easy, while short, glare-free labels in English, Arabic and braille are colour-coded to move you from broad themes to object-level detail.

    That said, a guide adds context you don’t get from a panel. I was lucky to have Essam Al Ebd Aziz, an Egyptologist, on board a 12-day Uniworld Nile cruise, walk me through some of the museum’s standout pieces.

    Top of the list is, of course, the Tutankhamun exhibit. Almost everything from his tomb, much of it never shown outside the Valley of the Kings, is here, from his golden funerary mask to delicate jewellery and ceremonial objects. But the GEM isn’t just about one boy king.

    GEM entrance is guarded by an 11-metre-tall Ramesses II statue.
    An 11-metre-tall Ramesses II statue guards the entrance. (Image: Natasha Bazika)

    Essam points out the canopic chest of Hetepheres, mother of Khufu, where her organs were stored in alabaster. I loved the forty little marching soldier figurines from the tomb of Mesehti, all lined up and hanging on a wall. And then there’s the statue of Metri, a scribe, with piercing blue eyes carved from lapis lazuli. All these pieces, and thousands more, now sit under one roof. And for the first time, people can see Egypt’s history in one place, told in its own voice, without leaving the shadow of the pyramids. That alone changes everything.